Bauble Traps

Ok, so it’s not really a trap in the strictest sense, but more of a distraction. Still…


If you’ve ever lived somewhere that you have a constant issue with things inexplicably disappearing and then reappearing on you, and especially shiny things, then this post might make sense.

In my family this disappearing act is believed to be most often caused by house sprites.  That is to say, by the Fae (including fairies, sprites, elves, brownies, and all the like).   The theory of a Bauble Trap is to distract them.  Although, often if you just ask for your items back and say thank you when they show up, it’s rare that these things become an issue in the first place.

If they do become an issue, though, or if someone just wants to set up a “just in case” then a “Bauble Trap” is the way to go.  I’m sure there are other names for this, but this is the name I know it by.

Essentially, what the Bauble Trap boils down to is a bunch of shiny stuff (bits of jewelry, etc) that you hang decoratively near a mirror.  Preferably near the front door or a window (but not in view of the door or window) and where light will shine off of the shiny baubles and the mirror’s surface.

As many of the little mischief makers are drawn to shiny bits, the combination of the shiny baubles and the mirror’s surface becomes a huge entertainment for them, and with this trap in place you may find that your other items are then left alone.

Be sure, though, as I mentioned, that you don’t put the Baubles Trap in view of your front door or window in question.  This would be seen as an invitation to outside Fae to come in and visit (or stay).  Although many of the Fae can be fun to have about, inviting more in is NOT something you want to do if you’re trying to resolve a mischief issue.

#SmallMagicks #MySpiritualToolkit a (non) VR to Yarrowen


Another YouTube hashtag response.  This one is from Yarrowen’s channel on YouTube, and addresses not specifically about tarot, but about little magicks and spiritual practices.   Not the big things you do daily or weekly or monthly, but the little everyday things that incorporate magick into your daily life.

So here is a small, non-comprehensive list of the little magicks that I incorporate into my life on the day to day.

  • Forest bathing (in the forest and out of it) is my number one magic in day to day life. Being in touch with my senses and the whisper of nature even in the city is very much a part of my every day.
  • Also, as she called it, the “micro mini meditation” of a breath, a check in with myself, and moment of gratitude.
  • Meditative shuffling.  Sometimes when I just need to feel a little soothing comfort, I’ll pull out a deck of cards (tarot, lenormand, or playing cards) and sit with them and shuffle for a bit.
  • I wear a small bead charms of labradorite and citrine attached to my medical bracelet.
  • The morning daily draw that I do, while seeking a positive message to carry with me through the day and foster a bit of perspective.
  • I match the mug I use with my morning tea to the mood of my day or the intention of the mood I wish to set for my day.
  • My daily devotional in the morning, which reminds me to stay grateful each day.
  • The jewelry that I wear, which is always a reminder of you.
  • Mudras during my meditation.  This is a new practice, but I have found one or two that really seems to enhance my meditation practice.
  • I create the jewelry and other items that I make in a mindful manner, with the conscious intention of it bringing something positive into the life of the person that each piece ends up with.
  • Speaking to my plants and the animals in my life.
  • Labradorite on the solar plexus and smoky quartz on the third eye during my meditation.  Also just a small thing that enhances my meditation practice and assists me in “tuning myself in” to where I want to be.

Yarrowen speaks of one little thing a day, but the truth is that I do most of these nearly every day.  But, just as I scatter sacred items and sacred spaces throughout my home, I scatter little bits of magick and spirituality throughout my life.

This is far from a complete list, because so many of the things I do are just a natural part of my day and I don’t even recognize them as spiritual or magickal until it is pointed out to me.

Thank you for the terrific hashtag Yarrowen.


Caring for a Tarot Deck

There are a variety of ways to take care of a tarot deck, and a plethora of old wives tales (some of them practical, others not so much). I think what is important, though, isn’t the old wives tales and superstitions, but gratitude.   You work with these cards, you trust these cards.  They speak to your intuition, and they are used as guides, as self care tools, as expressions, and as many other things.    They deserve to be treated well.

What I’ve found, though, is that everyone cares for their deck(s) differently.  I personally can’t speak for other’s methods and reasons for those methods, but here’s how I care for mine…

Step 1) Saying Hello – When a deck first comes into my possession, I look through the cards and familiarize myself with the artwork, the card stock, the feel of the cards in my hands, and the feel of the shuffle. I spend some time with the deck, just looking at each card and repeatedly shuffling the deck. I might, at this time, also do a couple of deck exercises, just to become more familiar with the structure of the deck. These most commonly include…

A) Laying out the cards of each suit, one at a time, and paying attention to how the element of the suit is expressed in each card, as well as take time to notice the similarities in the qualities of the cards within each suit, and the differences expressed through their progression from the Ace to King.

B) Looking at each number, from each suite together (all aces, all twos, etc) including the corresponding Major Arcana Cards. At this time, I seek the “theme” of the number within each of the five cards, and the differences of the elements they represent as well.

Step 2) Modifications – At this point, I will often do my modifications if I’m interested in doing any kind of alterations to the cards.  I like to do the modifications before cleansing the cards, as I want them to be their “finished selves” before I get to that part of things.

I’ve just started modifying my decks (beyond the occasional edging) recently, so along with starting a new cycle of cleansing and interviews with all of the decks in my collection (mentioned below), as I go through my decks to prepare them for this process, I am also picking out and setting aside those that I have definite feelings about wanting to modify in some way in the future.

3) Cleansing – I almost always will do this before I ever use the cards for any type of reading or communication.   In my case, cleansing is done by setting up outside (see the picture to the right) with a candle, appropriate crystals to lend their energy to the process, my abalone shell (on its stand) to catch ash, and a small smudge stick (usually that I’ve made myself) of white sage, sweet grass, and a very slender toothpick-sized sliver of palo santo wood. (I have a number of decent sized sticks that I purchased years and years ago, but it’s currently on the endangered watch list so I use what I have very sparingly, as I will not purchase more until it is off the endangered species list).   I then run each card through the smoke of the smudge stick, one at a time, paying mind to the individual card before me as I do so.

Some people do not cleanse their cards, as they worry it will alter the card’s personality (I’m sure there are other reasons, as well).  And, I guess I can understand that.  But for me, it’s important.

I see this process as similar to taking a bath.  When you take a bath, you wash yourself but you don’t lose your appearance or personality in the washing.  I feel that the “bath” is an important step, as it washes away any stray energy that might be lingering in the cards (for example, the energy of a suicidal employee that handled the cards at the printing company, or a resentful worker at the storage warehouse, etc).  I think it is important to wash away those energies so they don’t “muddle” the communication that comes from the cards.

After the initial cleansing that happens with the cards when they come into my collection, the only other time I ever cleanse them is 1) they are not communicating as clearly as they once did, 2) I’m re-doing a deck interview and feel a cleansing could help in “clearing the air” and opening up communication, or 3) I have allowed someone other than myself or my sister to touch them.  The last isn’t really something that happens all that much anymore.  Once upon a time, I used to do face to face readings and would have the querent shuffle the cards, split the deck, draw cards, etc.  Since the event that changed my appearance and the ways I communicate, though, I no longer do face to face readings so it is rare anyone aside from myself and my sister ever handle my cards.

4) Deck Interview – After the cards have been cleansed, I will go through the process of my deck interview.   This involves first putting the cards in order.  I’ve already shuffled this deck multiple times when first getting familiar with it and possibly during the modification process.   So I now take the time to put the cards back in order, which I feel helps “pause and reset” the deck, opening things up for them to speak clearly.  Sort of like organizing the deck’s thoughts before the interview begins.

I then do six riffle shuffles, before then shifting to overhand seesaw shuffling while I  wait for a card to stick out (or jump out) for each question in the interview.   Once I’ve gone through all of the questions,  I photograph the finished interview spread, and then I thank the cards as I riffle shuffle them three more times, then put them away.

5) Journaling – After the interview spread, I then print out the photo of the interview and add it to my deck interview journal, and write my journal entry about this deck, which includes why I bought the deck (or how it entered my collection), what my first impressions of the deck were, and then an outline of my interpretations of each answer the deck replied to during the interview.

6) Storage – With as many decks as I have, I am very conscientious about how I store my decks.  This depends on a variety of factors.

If the deck came with a “fitted” tuck box, I will usually keep the deck stored in this box.  The same can be said for small hard boxes that are made to specifically fit the size of the deck.

The BIG boxes that a lot of decks come with these days?  I remove the deck from the box, and will then take time to peel the artwork from the box to save and use later in the deck interview journal or in an in-depth study journal of that specific deck.    The deck is then wrapped in cotton cloth in a “swaddle” of sorts.   I am aware of the old wives tale that says you should wrap your decks in silk, but it just doesn’t feel good to me.  Silk is not as breathable or as comfortable as cotton.  I want them to be comfortable in their swaddle, and enjoy their resting time with the other decks in my collection.  It doesn’t seem enjoyable (in my opinion) to be wrapped up in suffocating silk when you can be in something far more comfortable.

My decks are then placed in one of four places.   I have two trunks (and a basket), which I store the majority of my decks in.  One trunk is for boxed Tarot decks only, the other is for all other boxed decks (such as Lenormand decks, Oracle decks, playing card decks, etc). The basket currently houses my swaddled decks. This system will possibly change a bit over time, and with the possible addition of a third trunk.

I have a shelf in my nightstand where a  handful of decks that are my “go to” decks sit along side whatever decks are next in my monthly deck studies.

I also have a small basket dedicated to decks that are waiting to be modified in some way. A lot of these are decks that require more extensive modifications such as trimming or backing, as I often do edgings right away when I have decided a deck needs it.

Aside from those spots, I have reference decks (and decks in tins) on a shelf in the living room beneath my computer monitor.  There is also between one to three decks at our altar in the bedroom, two decks on the night stand for ease of access and decoration, and my sister and I now (as of last week) have a plastic bin beside the bathtub that has a trio of waterproof decks in it.

Story of the Sacred Circle Tarot

Usually, I do a group post for my deck modifications, since I’ve been doing quite a few of them over the past little bit.   But this particular modification was so surprising and so transformative, that I felt that it needed its own post.

First, a little backstory.

My very first deck was given to me, and so was my third.. fourth… possibly also my fifth.  I was raised by Pagan and Buddhist parents, and my mother gifted me the Gypsy Witch Fortune Telling cards when I was about ten years old.


It isn’t really a deck that I use anymore, although I still own both the deck I was originally given as well as a version of the deck that is over 100 years old.

Soon after, I was given my first Lenormand deck (which is the system that I first learned with), and then a handful more of them over the years that followed.


When I discovered the Ryder-Waite-Smith system, I was curious and eager to learn, and I requested a recommendation from the shop owner for a learning deck.   Now, I’m not sure why they recommended the Sacred Circle Tarot for this.  And, at around fourteen years old or so?  I wasn’t “centered” enough in myself or the RWS system to realize this deck was not going to be a good match for me, or to speak up and tell him “Um, no. How about a different one.”


So, I bought the deck and I struggled with it.  I slogged through the reading, and fought with the deck at every turn.  For a while, I even thought that the RWS system was just not for me, and I retreated back to my roots in the Lenormand.

I’ve moved on since then, and back to the RWS.  I’ve discovered a multitude of decks that speak to me and that I enjoy (as you can clearly see by my list of decks that I now own).  But, I never got rid of the Sacred Circle Tarot I’d struggled with so horribly in the beginning.

Recently, I’ve been doing a lot of deck modifications, and I have been eying the Sacred Circle deck with serious consideration since the first time I modified a deck.

Finally, I decided to take the plunge.   This is, hands down, my most aggressive deck modification to date, but I have to say, I’m really pleased with the results.


The first thing I did was trim the cards, of course.   You can see in the above image the difference that this made in the size of the cards.  A deck that was once oversized and on the edge of awkward has been cut down to the size of a mini deck.

It was the first card I cut that made me realize what my issue was with this deck all along, actually.   I trimmed the Tower first (because, well yeah, it was just fitting in this case), and as soon as it was trimmed, I was amazed at how much more I connected with the card.   What I realized is that those great big, highly intricate borders were what had turned me off to the deck to the point that it was nearly impossible for me to read with them or use them in any capacity.  Although there are a few borders in the Major Arcana that are beautiful, as a whole they’re impression on me is startling, garish, and in some cases an almost violent assault on the senses.


So, I cut them off.   All of them off.   The borders, the titles, the key words.   All of it but the main center picture on each card.

Suddenly, this deck felt much better.   The images spoke to me (although… not all of them), it felt good in my hands, it shuffles well and is screaming “use me, use me, USE ME!”.  The only issue I still struggle with is the “photo-shopped” imagery, which is a far and above improvement over it’s original incarnation.

I did have a small problem, though.  The Queen of Swords and the Warrior card (the Strength card) were a little too similar in my opinion, and a few of the other Major Arcana cards were easy to mix up.   The ones with people, I mean.    So, I decided to go ahead and use a fine point Sharpie and number the Major Arcana cards.


I didn’t really need to do all the cards in the Major Arcana, but I liked the consistency of having them all done, so I numbered each of them with their roman numeral correspondence.

What is not consistent is the placement of the numbers.  This is because the cards (and images) are now so tiny that there isn’t a lot of room to select any one place to put the numbers in the same spot on each card.    So instead, I tried to find wherever there was a good space that the numbers would both fit, and be visible.

Finally, I then edged the deck in black.   I did this in a less precise way than I usually do my decks.   Normally, I take each card individually and edge the card, wipe the excess with a microfiber cloth, then repeat a second time if needed.

In this case, I took sections of the deck and did the edges of these sections all at once.   This causes the ink to bleed a bit  in between the cards, adding a touch of a messy border to the fronts and the backs, which was the idea.  I think that bit of “messy’ in the border goes really well with the artwork on the cards and I’m really happy with the results.


Now?  After one night’s worth of work on altering this deck, it has been (nearly) completely transformed.  It no longer feels uncomfortable or awkward, and I no longer feel any inclination to avoid it or set it aside in the bottom of my tarot chest.  Instead, I love the way the cards feel in my hands, and aside from the photo-shopped look of some of the cards, I’m very happy with the aesthetic.

Deck Modification Line Up – Spring 2019

So, over the past… oh hell, I don’t know. Few months? I’ve done a long list of deck modifications. Which, to be honest, I’ve really enjoyed.

I don’t modify every deck in my collection, but I’ve found that there are a variety of decks in my collection that I either don’t use for some production value reason (too big, awkward sizing, unfinished looking, distracting borders, titles that don’t “fit” with my reading style, etc). This year I’ve begun going through my collection and picking out the ones that I feel need a little TLC of the “deck mod” variety.

I do have a couple of previous posts [Post 1, Post 2] where I went through a couple of mods. This one will be… bigger. And a lot more comprehensive. But it will not contain the decks previously mentioned as this is more of an update on my progress of going through and altering those I feel need some adjusting.

These will be in alphabetical order (instead of chronological) simply for convenience. (I named the pics for this post with the deck names and so now, in the folder, they’re in alphabetical order.)


First up is the Angelarium: Oracle of Emanations deck. I’ve said before that I’m not a big fan of angel decks, but I did end up ordering this one because the angels… well, don’t look like traditional angels. I like the artwork, and I’ve actually pre-ordered the sequel (Angelarium: Oracle of Watchers) which I plan on combining with this deck to make into a single larger deck.

The only thing I did with this deck is edge it in black. Interestingly, something about the card stock made the black turn a shade of dark, dark blue which I really like. I decided to only do one coat specifically to preserve this blue hue.


The Angels and Ancestors is another deck with angels in it, and yet they also are not the traditional iteration of the concept.  They actually give me an impression more of spirit guides than angels, which along with the artwork and color scheme, made this deck easy for me to bond with.

For this deck, I got the idea for the edging from Boho Tarot.  I liked what she did with her deck and modified it a bit for my own tastes.   I first edged in yellow marker before using Distress Ink’s Tea Dye shade as a finger-rub along the edges for an uneven, aged look.  I then used gold ink in the same finger-rub method to give a hint of sheen.


The Arcana deck by Dead On Paper.   I looked and looked for this deck for quite a while after I stumbled upon a random image of one of its major arcana cards.  I couldn’t find it and was so frustrated.  Then I saw it on BoyDiviner’s YouTube and he was kind enough to provide me with the name of the deck and publisher.  From there I immediately ended up purchasing the deck and I’m really glad I did.   The card stock is SO nice, the size is standard playing card size (as opposed to standard tarot size).   The deck is structured so that it can be used as either a tarot deck or a playing card deck.   I love it.

The cards aren’t black but actually a really deep, dark brown with a hint of distressed texture.  So, what I did was I edged them in black.   I then used the finger-rub method to add bronze marker ink to the edges.


The Badger’s Forest Tarot was a bit of a debate for me when I first got it, to be honest.  I have absolutely no fondness for the thick brown border on the backs of the cards.  At all.   But, the deck is borderless on the face of the cards, which means if I wanted to remove the brown border, I’d have had to cut into the artwork… and I just wasn’t willing to do that.

So… I decided to live with the brown borders on the backs.  I don’t do a lot of face-down spreads, as I prefer to set my cards down face up and get my initial impressions as they are laid into place, so it’s not a huge sacrifice.

For modification,  edged the card in brown, taking a good deal of care to ensure that I didn’t pollute the artwork on the front of the cards with the ink. I then did a finger-rub with bronze marker ink.


The Dreaming Way Tarot, I edged in a combination of greens.  This included green Midliner marker overlayed with yellow PrismaColor marker, as well as three different shades of Distress Ink (Bundled Sage, Shabby Shutters, and Old Paper).   Essentially, I shuffled the deck, and then split the deck into four equal sections and colored each section with a different shade.


The Faery Forest Oracle is the oracle that I pair my WildWood Tarot deck with when doing intricate spreads (such as the year in view spread).  You can see the swaddle (cotton cloth) that I use to store the deck in within the background of the photos.  That fabric is the same fabric that I use to swaddle the WildWood deck. For me, the two decks just… go together.

I edged this deck in PrismaColor green marker.


As you can see above, I also edged my WildWood Tarot in PrismaColor green marker.  I did this with intention, because like the swaddling of the Faery Forest Oracle, I wanted the colors to match each other.

Before edging this deck, I trimmed it.  The white borders on this specific deck of cards really bothered me.  It felt like the artwork and message of the cards was “trapped” inside a cage.    Freeing this deck from its borders makes it feel far more open and has made it far easier for me to read intuitively.

At the same time, I didn’t want to remove the titles, because I -do- use the guide book with this deck and sometimes need a little help identifying the cards due to their nontraditional depictions. By leaving on the titles, it made the design on the back a bit off-center.   Although this niggles at my anal-retentive side, it was the most practical option, and I can live with it.


The Tarot Familiars just felt unfinished.  Black backs, dark fronts… white edges.   It just didn’t jive for me.  I had initially wanted to edge the cards in colors to match the dark hues used in the borders on the fronts of the cards, but I found it impossible to find inks that were a good match, so I ended up edging the deck in black marker instead.


Godard’s Bird Spirit Tarot (sorry, I don’t have a link for this one) is a deck that I don’t really see passed around a lot in the tarot community.  That said?  I love the deck.  I think the artwork has a sweet depth to it and the cards have vibrancy to them without being overpowering.

I simply edged this deck in black to finish it off, because like the Familiars Tarot, it felt unfinished with black borders on both the fronts and backs, but white edges that were raw and unfinished.


The Kuan Yin Oracle is one of the decks that I recently wrote about in Part 1 of my response to Ethony’s 31 Days of Tarot.  I really like the softness of this deck, but it felt unfinished in the way some of my other decks that I’ve edged did.   The card faces have borders in a variety of different shades, and although I considered cutting them off, I ended up using them as a guide to color the edges in matching hues.

In the picture above, you can see the hues all in order, and then on the far left you can see what the deck looks like shuffled.


The Mystical Shaman Oracle was given to me by you just recently for our anniversary, and you’ve already seen a few pics of the finished work, because I was doing it while we were talking.

I edged each side of this deck in a different PrismaColor marker to match shades of color off the card backs (green, yellow, red, brown).   Once edged in marker, I then applied bronze Sharpie ink with the finger-rub method before repeating the process with Distress Ink in black in a fade from the corners.


The Oracle of Echoes came into my collection recently and also felt unfinished with the plain white edges.   This deck also comes with a PDF “little white book” rather than a printed one.  I ended up printing out the PDF and making it into a book.  I might make a post about that later at some point, as it was my first experience in making a book.

I debated between whether I wanted to edge this deck in black, or edge it in red and then antique it with black ink.   I ended up going with edging it in black because I felt the deck’s artwork (back and front) was busy enough and that the red might end up distracting from the artwork.


This is turning out to be a monster post, yeah?

Next is the Pagan Otherwords Tarot.  This one, you can barely tell the edging even in person.   I edged the deck in the gold colored Brilliance DewDrop, but I kind of feel like it’s too light or… not opaque enough.

I might end up trying again with a gold Sharpie.  I would really like to get to a shade and texture of colors that better matches the antiqued gold look on the inside of the box.


Maria Rikteryte’s Sacred Geometry Cards are a deck that I really debated on whether I wanted to trim or not.   I originally bought these with the intention to do just that.   I bought them to combine with the Cosmic Cards deck by Amaya Ajay, which would have involved trimming this deck to match the size of the Cosmic Cards.

Sacred_Geometry02The problem was… these cards are really huge.  I mean REALLY huge. (I’ve included a picture of one of the cards set beside a standard tarot sized card so that you can see what I mean.)  They’re bigger than I thought they would be, even though I looked at the size before buying them.   Trimming them down to match the size of the Cosmic Cards wasn’t feasible.   Trimmed vertically, you would end up with a few cards with the phrases truncated on either side.  Trimmed horizontally, you have to sever the designs exactly in half.

So… I decided to keep them their original size.  At least for now.   And I edged them in orange Midliner marker followed by yellow PrismaColor marker in order to match the shade of orange in the designs on the cards.


For the Tarot of the Secret Forest, I did another edging in black.   Sometimes?  That’s all that’s needed to make a deck feel finished.   In this case, that was especially true.  Both the backs and the fronts of these cards contain artwork, and both the backs and fronts have black borders.  The white on the edges just didn’t look good at all, whereas in my opinion the deck now looks really nice.


Another deck that I just edged in black was the Student Tarot (I believe this is v.5).  I don’t have a link for this one either, unfortunately. This is another deck you don’t see very often in the tarot community.   It was a gift from my sister and is… well, cute as fuck.   It’s designed with little anime characters  on the cards and always has a very “cheerful and fun” energy whenever I use it.


Third in a row!   Another black edging.  This is the Vintage Oracle Tarot.  As you can see, like the Tarot of the Secret Forest, it has a nice thick black border.  The white on the edge of the cards really bugs me on cards with black borders and edging the deck in black in those cases always seems to create a sense of relief… as if the white causes some sort of stress that edging them in black eases.


This is the White Sage Tarot, which as you can see, I edged in multiple colors.   The reason for this was because this deck has a clear intention to it as to being used with Chakras energy.   The information for Chakra associations is very clearly outlined in additional cards included in the deck as well as in the little white book, where the author specifies which Chakra each card is associated with.    I divided the deck into the seven chakras as per their associations in the little white book, and then used Crayola permanent marker on the edges to correspond with the Chakra colors. I then used the Brilliance DewDrop in platinum to add a bit of a finger-rub of sheen to the cards and “cool off” the colors a bit.

The last picture on the right shows how this deck looks after being shuffled.

I initially wanted to add a little colored dot to each card instead, and leave the edges white, but the card stock is so glossy that I couldn’t get any of my markers to stick.  The marks just rubbed right off, even after letting them dry for a bit.


This is my Mini WildWood Tarot, which I’m pretty sure is an unauthorized publication out of China?   I’m not entirely sure where I got this deck, as I have had it for a really long time.  If I’m not mistaken, it was a gift.  I could be wrong on that.

Anyway.   I edged this deck in yellow PrismaColor marker to match the yellow on the back of the cards.  I considered doing it in green, as I had for my full sized WildWood mentioned above, but I didn’t want it to be a clone as the mini deck has it’s own energy and personality.


Last, but certainly not least, is the Wisdom Seeker’s Tarot.   It’s funny, because I’ve noticed that people either seem to love the backs of these cards, or really dislike them.  There doesn’t seem to be any middle ground there.

I personally like them, which is a bit surprising, because I’m not really a big fan of “hot” colors (reds, oranges, yellows).   But for this deck?  The backs seem just right.

I trimmed this deck to remove the white borders that were present on both the fronts and the backs.  They just felt so wrong.  So…. I cut them off, although I ended up leaving the titles mostly because I’m a fan of precision.  Reading from a deck without the titles is a very intuitive process for me.  Sort of the difference between spilling ink over paper to create art, or instead using a pen nib to draw with.   The titles are the nib.  I may spill ink too, but I like having the pen handy.

After trimming, I edged this deck with orange PrismaColor marker on the horizontal edges, and yellow PrismaColor marker on the vertical edges.  I then used the Brilliance DewDrop in gold to do a finger rub that was heavier on the corners and lighter along the planes, causing the orange and yellow to blend a bit rather than being so stark in transition.

I’ll probably let another handful of modifications build up again before I do another post like this.  It just feels easier for me to post them in a group like this than to share them individually.

Deck Modification – The Star Tarot


I posted a little while about deck modifications and my plan to start with the Blue Messiah deck.   My plans changed a bit when I got my hands on this one, though and I decided to start with The Star Tarot by Cathy McClealland instead.

The first thing I did was get out my mini guillotine cutter and my corner rounder.  I then resized one of the cards (the King of Swords), working a little at a time to cut the card down until I found a size that was comfortable and yet wasn’t cutting off the titles.  Although this tarot deck would be easy to read without the titles, I really didn’t -want- to lose them.  I might change my mind sometime in the future, but for now I’d rather they stay.

Once I found the size I wanted, began cutting down cards, one at a time.  I did all of the tops and bottoms first, and compared each to the King of Swords to ensure they were uniform size, then went back and did the sides second, repeating the comparison with the King of Swords with each card.   I then rounded the corners using my corner punch.


Half way through the deck, I took a pause to take a few pictures for a size comparison between the original size of the cards, and the cropped size.

I’m not entirely pleased with my corner punch at this point.   On a card without a clear coat, the punch I’m using cuts nice and clean.   These cards, though, have a sort of clear laminate type of coating on them, and I’ve noticed that my corner cutter appears to have a little trouble with that coating.  Some of the corners ended up a little… not ragged or uneven, but with tiny tags of uncut laminate slivers.   It’s probably not something I’d have noticed if I hadn’t decided to also edge the cards.

I’m not a huge fan of that type of laminate on the cards, either, incidentally.  It makes the cards feel almost “sticky” when shuffling.  It was the reason I chose this deck to start with, actually.  Between the size and the stickiness, I figured I would never used this deck unless I could make it more user friendly.

So the next step is the inking of the edges.


I used Distressed Ink for the edging, starting with stamping the edges using Seedless Preserves (purple) for an uneven finish around the edge of each card.  This left a bit of white exposed in places.  I then used Salty Ocean (blue) in a rub around the edges and over the purple.

Above, I’ve posted a photo of the deck half done with cards set out to dry between stamping.  I left the cards to dry for thirty minutes between each application of ink, and rubbed the edges with a rag after the wait was over each time to remove any excess.

The application of the darker ink (purple) done unevenly followed by the lighter (blue) ink afterward created a mottled deep blue effect that I think matches the card’s border and back really well.


I did take about twenty cards out and use the purple in a second sweep on top of the blue, darkening the color as a result, which once shuffled into the finished deck, resulted in a darker blue than the original results.

I then let the deck sit out for 24 hours to ensure that the ink had fully dried on all of the cards.

I’m really happy with the end result of this modification.  I think the deck looks much better, and the size is much easier to handle.  The only thing I’m not a fan of is the laminate coating that I mentioned earlier.  I’m hoping that with a good amount of use, that it’ll lose some of its stickiness.   The one thing I was worried about with resizing the deck is that I’d damage whatever shuffle-ability they had.  But, I managed to get the sizing uniform enough that it isn’t an issue.


The last pictures in this post are of the finished deck and the “swaddle” that I chose to home the deck in.

This deck came with a huge box (and a book).   I don’t keep boxes when they are oversized, so I have a variety of decks that are wrapped in a “swaddle” of 100% cotton in place of a box.   For this deck, I found a fat quarter that I feel fits the deck perfectly.  Not just in color, but in the design of the print as well because, to me, it looks like the night sky.

Gideon’s Challenge



I subscribe to a few blogs, mostly things like LifeHacker and household stuff because, well, anything to make the annoying little shit in life a little easier right?

So this evening I read an article from one of the blogs I follow that describes how to make “toilet bombs” for when your toilet is clogged.

Now, this is a big issue in our house, and seems to have become even more prevalent lately for some reason.

I eat a minimum of 5-6 full meals a day, that means the toilets here in the condo get a LOT of use, as you could imagine.   And, my sister loves using tons of toilet paper.

Add to this that I recently started on a medication for my blood sugar that causes me to lose a good bit of it in my urine, which even with a Clorox bleach cake in the tank, is causing a mold growth issue (sugar feeds mold).  In the bowl, that’s ok.  Easy enough to clean it.  But what about down in those pipes where it can grow unrestricted?   This is, I suspect, the main reason that my toilets clog so much lately.

So anyway.  I’m inspired by the post on One Good Thing by Jillee today, and you can bet I’m going to try her suggestion, because I have NO interest in snaking my toilet drains just to clean out mold build up, yeah?    So…. I’ll give it a try and see what happens.

How to Use a Watering Bulb

I work in a nursery as one of my part time jobs, and whenever I see someone buying these, I always take a minute to stop them and ask if they understand what they’re for and how they’re used.

What I’ve found is that most people have no idea. They seem to think that by using this little glass globe of water, somehow their plant’s needs will magically change to match the volume of water the bulb can hold.

It is true that the watering bulb is meant to water one’s plants. Yes, it is. But that’s not really its true purpose.

Watering bulbs are not meant to take the place of regularly watering your plants.  Rather, the purpose of a watering bulb is to extend the time between watering, and give you a visible gauge of when it’s time to water your plants again.

Plant Nanny

They come in a variety of different shapes and sizes, and even in different names from watering bulb, to watering globe, to plant nanny. But their purpose is always the same, as is how they should be used.

First, you water your plant normally. Saturate the soil with water. Unless your soil is so dry it’s turned rock hard, a good gauge of this is when the water begins dribbling out the bottom of the pot. (For pots without a drainage hole, be sure that you don’t water too much and create a swamp in the bottom of the pot. No plant is going to be happy about that, except possibly a peace lily.)

Second, fill your watering bulb with water and grab a dinner knife from the kitchen. (A pencil or pen may also work, but I usually find them to be too small for the task at hand.)

Third, return to your plant. Insert the knife into the soil where you want to put the globe (usually 2 inches from the stem is best) and rotate to make a hole then pull out the knife. Put your finger over the globe’s stem to plug before inverting, then stick the stem into the hole.

Once you’ve made a hole for your watering bulb, you won’t need the knife again, as you can reuse the same hole again and again.

With a plant nanny, the process is the same except that there is a stake you insert into the soil after its wet, which serves as a permanent hole the watering stem (or bottle neck, depending on the style of plant nanny) is inserted into.

Note the first step. YOU WATER your plant BEFORE you put in the watering bulb / globe / plant nanny.

Your plant will then suck up the water in the soil first. And, as the soil dries, it will then wick moisture from the watering bulb until the bulb is empty. When you see your watering bulb is empty, you then know it is time to repeat steps 1-3.

A watering bulb won’t magically make your plants need less water, but it will extend the time between watering and help us humans in knowing how much water a plant needs, and how often we need to water them.  Use them properly, and you’ll never have to worry about under-watering or over-watering your plants again.

How to Get Wood Stain Off Hands and Skin

Wood Stain

I recently needed to know how to get wood stain off hands and skin, and had a really hard time finding an answer that didn’t include harsh chemicals. While I was visiting my mom the last time we went that way, I stopped by Z’s mom’s house for a visit, and she had made me a little tool rack that I can use for my jewelry tools.  It was awesome, but it was raw wood, which marks up easily and quickly begins to look dirty.    So, when I got home, I decided to stain it.

Me, being the brilliantly distracted man that I sometimes am, managed to forget to wear gloves when I stained the thing.  I also didn’t have a paint brush, so I used a rag to do the deed.   This meant I got stain all over my hands, under my nails, etc.

Normally, I would have gone straight for the turpentine… except, I didn’t have any.

Things that don’t work to get wood stain off hands include dish soap, lava soap, scrub brush, rubbing alcohol, oven cleaner…. yes, I tried it, it doesn’t work.   So, with gummy fingers sticking to the keys, I did a search on the internet.  And searched.  And searched.  And searched.

Nobody knows how to get this crap off hands, yeah?  Nobody.    And then I found a little blurb on a pdf that I’m pretty sure was an excerpt from some book.  It suggested vegetable oil.

I was doubtful, to say the least, but guess what?  It worked!

A tablespoon of vegetable oil and a lot of massaging it into my hands.  Wash with soap and water.  Repeat a second time if you have more stain to remove or want to use a scrub brush around nail beds and under your nails.   When you’re done, wash your hands a second time to remove any excess vegetable oil and voila! TRIUMPH! Clean hands.