bonding with your tarot deck

#shoppingfortarot (non) VR to LadyKnight of Avalon

/ Twist the Leaf / 1 Comment

Back in October, LadyKnight of Avalon on YouTube did a video where she talked about deck collections and how we go about the process of curating our personal collections over time.    The fact is that I have a rather large deck collection, and not just of tarot but also playing cards, oracle cards, lenormand, and other game cards and cartomancy cards. I love decks of cards.  I love the diversity of artwork available and the variety “voices” that the different styles of artwork speak with.

Anyway, she devised this list of questions for those that shop for and collect decks, no matter the size of your collection.  So here we go….

sage

1. What was the last deck you bought and why that one?

The last deck I bought was the Divine Muses Oracle.  I actually saw this one on Kickstarter when it was being launched, and I waffled on it and ended up not backing it because some of the cards didn’t appeal to me all that much (Ancestors, Astral Ascent, and the Muse of Art cards, for example).   But since then I have seen this deck on many videos and images, and I’ve been SUPER attracted to it and had some of the cards really stand out to me super strongly (such as the Totem of Water, Lattice of the Soul, and Raven King).  In the end, I decided that the cards that really spoke to me outweighed the cards that I was a bit “meh” on and I picked it up to see how I could get on with it.

2. What’s your decision process when you buy a new deck?

Does the imagery on the deck speak to me?  Will the words get in my way? If so, can they be removed?  Is it worth (to me) what they’re asking for the deck?  Can I afford to buy it?  Is it something I want to buy right now, or do I want to wait and see if I still want it in a few weeks?

3. What are deal-breakers in a deck that keep you from buying it?

Well at the top of the list is if I can’t connect with the imagery.  If the imagery doesn’t speak to me then there’s just no point in buying the deck.   Other deal-breakers include a Hanged Man card or Two of Pentacles card that I just can’t work with, super crappy cardstock (I’m a riffle shuffler… if it can’t handle being riffle shuffled then there’s no point in me owning it), too few cards for too much money, or well… too much money in general because if it’s out of my price range?  Then it’s out of my price range.

4. Little white book or big guide book?

I don’t really care as long as there is quality content.  I’ve seen some spectacular little white books…. and I’ve seen some big guide books that are just sheer crap.

5a. Do you have new deck rituals?

Yes.  When I get a new deck, I like to do a cleansing and a deck interview.  Unless I allow others to handle the cards, or for some reason the deck’s communication starts to feel “muddled”, chances are  that this is the only time the deck will ever be cleansed while in my possession.

5b. How do you break in a new deck?

By using them.   Also, meditative shuffling.  And, sometimes, with deck modification as well such as edging and/or trimming the deck if  feel that it needs it.

6a. Have you ever been disappointed after getting a deck because it looked/felt different than expected?

Yes.  Usually this has to do with how it communicates with me.  There have been times I’ve purchased decks and when I get them in my hands I just can’t get them to communicate as clearly as I’d like.   The most prominent example of this is the WildWood Tarot, which has artwork of a theme and style that I felt should have spoken to me very clearly, but even after years of trying, I couldn’t manage to work with them very well.    (It turns out, cutting off the titles on the cards so that it is artwork-only finally solved this issue for me.)

6b. Have you ever been pleasantly surprised by a deck after getting it?)

Yes.   Most recently?  The This Might Hurt deck, which I backed on Kickstarter in the spring and just arrived this week.  It was far and above the quality I was expecting and I’ve been avoiding walk-throughs and other images of the cards, etc because I wanted it to be a surprise.

7. Do you interview new decks?

Usually just when it first comes into my collection, although if I feel that the “tone” of a deck’s readings have changed over time then I will do it again to re-familiarize myself with the energy of the deck and it’s “voice”.

8. Do you ever buy decks for a specific purpose (only using it for that one?)

Yes.  I have a few decks that are solely for my personal use.  I have a few that are solely for shadow work.  And I have a few that I’ve purchased solely to use in one-card draws.

I have also occasionally bought a bootleg deck or two for the purposes of spellwork, because often in those cases the deck is destroyed in some way in the process of the spell casting.  Destroying a $5 deck in a spell is one thing.  Destroying a $50 deck in a spell is quite another.

9. Do you differentiate between decks you buy for yourself and decks you would use for other people?

Only in a few special cases.   The vast majority of my decks are open to be used for both.

10. What is one thing you wish deck creators would do, do more of or stop doing?

Do:  I wish more deck creators would consider cardstock as a top priority. (Hello Llewellyn, I’m talking to you.)

Do More:  I’m all for more illustrated pip cards.  I hate it when you have glorious and beautifully done Majors, and then the Minors are just sparingly done pips; or else they are illustrated, but in a way that makes it clear not as much effort was put into them as the Major Arcana.

Stop Doing: This one is specifically for creators on Kickstarter.  A lot of creators on that platform add on “Stretch Goals” which is great, but I really wish that they would focus less on little trinkets, pins, fancy boxes, etc….. and more on upgrading cardstock and making the actual CARDS nicer.

What is a Deck Interview Spread?

/ Twist the Leaf / 2 Comments

As I mentioned in a previous post, I recently did a re-create on my personal deck interview spread. It’s a ten-card spread with room for jumper cards to add additional input when they show up. I’m so happy with it, in fact, that I’ve recently begun the process of re-interviewing all my decks. This, of course, is going to take a good deal of time.

In your reply, you asked me what a deck interview spread is, and it inspired me to make this post.

GypsyFirst, I have to explain what a “spread” is. Essentially, in the tarot (or any fortune telling that involves cards) there are two “basic” methods for using the cards. (I’m sure there are a variety of other more esoteric ways as well, but I’m only covering the two basic methods.)

There is the “free style” method, which involves having an inquiry in mind and drawing a card. Then, from the response of the card you then develop another related query that is brought forward and a new card is drawn. In this way, it is like having a conversation. You ask, the cards answer, and you continue the discussion until you feel it is time to stop. The “one card draw” is essentially of this ilk, as there is simply a single draw in response to one’s inquiry.

Then you have the second method, which is using a spread. This is a pre-planned pattern in which you put the cards down, like a seating chart. Each “seat” has a question, topic, or person assigned to it, and a card is drawn and placed in that spot, essentially then representing (or answering) whatever that spot is supposed to signify.

I use both of these methods, depending on what I’m using the cards for and my mood.

So, then we come to a Deck Interview spread.

This is a spread used to communicate directly with the deck to assist in getting familiar with the deck and its energy and personality.

DeckInterviewSpread

You can see the spread above, where I have positions 1 thru 10, plus secondary positions behind each card for if I come upon extra “jumper cards” in the process of pulling cards for the interview. These secondary positions are not necessary to fill, but are there more because some decks just have a lot to say and an extra card or two will “jump” out of the deck during a card pull in a demand to be included.

When doing an interview spread, you are bonding with your deck and “feeling it out” for how it feels and what types of tasks it will be happiest performing. The questions for my spread are…

  1. What is your most important characteristic?
    This may include the deck’s personality or energy, what makes it unique, or how the deck will deliver advice.
  2. What are you here to teach me?
    Provides insight into what to expect from the deck and what the deck can teach you through working with it.
  3. What kind of readings will you excel at?
    Indicates what type of readings the deck is most comfortable with.
  4. What is your greatest strength?
    Indicates what the deck is absolute best at.
  5. What other strengths would you like to share?
    Provides a more well-rounded understanding of the deck’s strengths as a whole.
  6. What is your greatest weakness?
    Indicates what the deck will be terrible at, or types of readings it can’t do.
  7. What other limitations would you like to share?
    Will provide a more well-rounded understanding of the deck’s limitations and weaknesses as a whole.
  8. How can I best learn from and collaborate with you?
    Provides guidance on how to best handle and work with the deck.
  9. What do you see as the potential outcome of our relationship?
  10. Is there any additional information you would like to share about yourself?

There are books that can be purchased that are filled with spreads to try, and many decks also come with a suggested spread or two in their “Little White Book” (or other guidebook). You can also find a multitude of spreads on the internet by doing simple searches.

Although I am the author of this specific Deck Interview spread, the practice of deck interview as a whole is not a new concept, and neither are the questions I’ve chosen to ask.